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Line-up
Freitag 21.07.
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JayaTheCat
Roots-Reggae, Ska, Punkrock: Die drei Hauptzutaten des Cocktails, den Jaya The
Cat auch auf ihrem am 17. November erscheinenden neuen Album „A Good Day For
The Damned“ zusammenmischen, rufen normalerweise eher Bilder von sonnigen
Stränden, der coolen Lockerheit Kaliforniens oder zumindest dem schwülen Dunst
Floridas vor das geistige Auge. Umso erstaunlicher, dass die Band um Mastermind
und Frontmann Geoff Lagadec und Schlagzeuger David Germain ihren Ursprung im
klimatisch eher milden Boston hat. Dass Jaya The Cat sich hingegen 2003 die
europäische Metropole Amsterdam als neues Hauptquartier aussuchen und ihre
cremige Sound-Mische von dort aus auf bislang vier Alben an das Partyvolk bringen,
passt so gut zusammen wie Piña Colada und karibische Sonne.
Dabei sollte man allerdings nicht meinen, dass sich die Band allzu stark von dem
zurückgelehnten Flair der holländischen Hauptstadt hat inspirieren lassen. Denn wer
eine vergleichbar explosive, wandlungsfähige und dynamische Live-Band aus dem
Skapunk-Sektor sucht, sollte eine Lupe im Gepäck haben – hunderte von Shows
zwischen ausverkauften Headliner-Touren, Support-Slots für Bands wie die
Beatsteaks, Less Than Jake oder Sublime und prestigeträchtigen Festivalauftritten
auf dem Ruhrpott Rodeo, dem Pukkelpop und dem Lowlands sind Beweis genug für
die musikalische Feuerkraft des Quartetts.
Auf dem Nachfolger zum 2012 erschienenen, programmatisch betitelten „The New
International Sound Of Hedonism“ zeigen sich Jaya The Cat nicht nur sommerlich
smooth, sondern auch mit klarer Kante und politisch motiviert. Die wechselnden
Anteile aus krachigem Punkrock, rootsigen Classic-Reggae-Licks und energetischem
Ska auf dem innerhalb nur eines Monats in Berlin aufgenommenen Album ergänzen
Lagadec und seine Partygemeinde um Versatzstücke aus Blues, Soul, Dub,
Dancehall und HipHop. Hauptsache das Ergebnis ist laut, hat Drive und macht auf
jeder Party eine gut groovende Figur. Mit ihrer stilistischen Vielgliedrigkeit schaffen
es die Wahl-Holländer letztlich auch, ewige Nörgler und Genre-Puristen mindestens
zum Mitwippen zu bewegen – wenn nicht sogar zum ausgelassenen Skanking oder
Runden drehen im Pit. Herzschmerz, Liebe, Politik, Irrsinn, Optimismus: „A Good
Day For The Damned“ hat alles, was man sich von einer treibenden, bewegenden
Skapunk-Platte wünschen könnte.
Cat auch auf ihrem am 17. November erscheinenden neuen Album „A Good Day For
The Damned“ zusammenmischen, rufen normalerweise eher Bilder von sonnigen
Stränden, der coolen Lockerheit Kaliforniens oder zumindest dem schwülen Dunst
Floridas vor das geistige Auge. Umso erstaunlicher, dass die Band um Mastermind
und Frontmann Geoff Lagadec und Schlagzeuger David Germain ihren Ursprung im
klimatisch eher milden Boston hat. Dass Jaya The Cat sich hingegen 2003 die
europäische Metropole Amsterdam als neues Hauptquartier aussuchen und ihre
cremige Sound-Mische von dort aus auf bislang vier Alben an das Partyvolk bringen,
passt so gut zusammen wie Piña Colada und karibische Sonne.
Dabei sollte man allerdings nicht meinen, dass sich die Band allzu stark von dem
zurückgelehnten Flair der holländischen Hauptstadt hat inspirieren lassen. Denn wer
eine vergleichbar explosive, wandlungsfähige und dynamische Live-Band aus dem
Skapunk-Sektor sucht, sollte eine Lupe im Gepäck haben – hunderte von Shows
zwischen ausverkauften Headliner-Touren, Support-Slots für Bands wie die
Beatsteaks, Less Than Jake oder Sublime und prestigeträchtigen Festivalauftritten
auf dem Ruhrpott Rodeo, dem Pukkelpop und dem Lowlands sind Beweis genug für
die musikalische Feuerkraft des Quartetts.
Auf dem Nachfolger zum 2012 erschienenen, programmatisch betitelten „The New
International Sound Of Hedonism“ zeigen sich Jaya The Cat nicht nur sommerlich
smooth, sondern auch mit klarer Kante und politisch motiviert. Die wechselnden
Anteile aus krachigem Punkrock, rootsigen Classic-Reggae-Licks und energetischem
Ska auf dem innerhalb nur eines Monats in Berlin aufgenommenen Album ergänzen
Lagadec und seine Partygemeinde um Versatzstücke aus Blues, Soul, Dub,
Dancehall und HipHop. Hauptsache das Ergebnis ist laut, hat Drive und macht auf
jeder Party eine gut groovende Figur. Mit ihrer stilistischen Vielgliedrigkeit schaffen
es die Wahl-Holländer letztlich auch, ewige Nörgler und Genre-Puristen mindestens
zum Mitwippen zu bewegen – wenn nicht sogar zum ausgelassenen Skanking oder
Runden drehen im Pit. Herzschmerz, Liebe, Politik, Irrsinn, Optimismus: „A Good
Day For The Damned“ hat alles, was man sich von einer treibenden, bewegenden
Skapunk-Platte wünschen könnte.
The Locos
THE LOCOS, the ska-punk musical project created by the restless and impressive Pipi on the fringes of Ska-P in 2006, has managed to stand out with its own light within the state, European and Latin American scene, sowing good reviews and praise for all sides where they have been overwhelming with their direct visceral. This 2022 presents his new song Siempre Rayo. Where he refers to his soccer team Vallecano Ray, a humble neighborhood team with anti-fascist ideas and values.
HOST
HOST
Freitag - Sonntag
Freitag - Sonntag
Samstag 22.07.
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Samora
Samora, in der südamerikanischen Karibik geboren, bringt eine unglaublich frische, kraftvolle und energiegeladene Interpretation moderner antillianischer Vibes auf die Bühne. Ihre Musik hat ihre Wurzeln in afro-karibischen Rhythmen, modernem Dancehall und natürlich Reggae. Diese geballte Ladung tropischer Klänge kombiniert sie gekonnt mit R'n'B- und Pop-Elementen und schafft so ihren ganz eigenen Stil, in dem sie ihre Liebe zur Musik und ihre Vielseitigkeit ausleben kann. Die charmante und selbstbewusste junge Sängerin zieht mit ihrem Gesang und ihrer starken Bühnenpräsenz, unterstützt von einer grossartigen 8-köpfigen Band, jedes Publikum in ihren Bann. Mitreissend.
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Ky-Mani Marley
Ky-Mani Marley, is a multi-talented artist who is currently preparing his new film "Necessary Badness" and also his next
album.
Reggae icon, he is no less in love with hip-hop. Since his beginnings has offered a real fusion between these two styles.
Very influenced by the American culture in which he grew up, Ky-Mani remains faithful to his Jamaican culture and has
spread it around the world for several decades!
To (re) discover on European stages in 2023.
________________________________________________________________________________________________
Born February 26, 1976 in Falmouth, Jamaica, Ky-Mani Marley is the son of famous Bob Marley and table tennis
champion Anita Belnavis. He grew up alone with his mother in the Jamaican countryside and sadly lost his father at the
age of 5. Two years later, he left his homeland with his mother to settle in Miami.
Very early on, he developed his musical talents (thus learning to play the trumpet, piano and guitar), in parallel with a
notable involvement in sport. During his adolescence, he also tried his hand at rap and the profession of DJ, along with
his brothers Stephen, Julian and Damian, and finally found his vocation there.
In 1995, he began his musical career with a first single "Unnecessary Badness" and was quickly spotted by Shabba
Ranks producer Clifton Dillon, who offered him a first contract with Shang Records. He will then record "Dear Dad" which
is a great success. In 1996, aged 20, he released his very first album, "Like Father Like Son", 11 tracks from his father's
repertoire, and their dub versions.
The following year, he teamed up with Praswell from Fugees for a cover of "Electric Avenue". Signed by a new label, he
collaborates with PM Dawn on the single "Gotta Be Movin On Up", which helps the musician to establish himself in a
genre other than reggae.
In 2000, "The Journey" was released which stood out for its eclectic influences, ranging from RnB to hip-hop. It is
followed by "Many More Roads", a more classic, more reggae, Grammy-nominated album. Then will come the
compilation "Milestone", and the albums "Radio" in 2007 and "Evolution of a Revolution" in 2010.
His album "Maestro" was the first album released on his own label Konfrontation Muzik Group and distributed in June
2016. An accomplished singer and musician, Ky-Mani also developed acting skills while playing in the films "One Love" ,
"Shottas", "Haven" and is currently preparing his movie "Necessary Badness".
Its raw, pure sound captures the listener and reverberates the essence of Ky-Mani's life. Songs like "Dear Dad", "I Pray",
or "Ghetto Soldier" display the versatility and fiery passion that Ky-Mani exudes when he shares his journey in song. We
find these ingredients that make his success during his lives that bring crowds around the world. His set transcends eras
with hymns from his father, hits from his early days and today, current singles, and genres ranging from hip-hop, to R&B,
through dancehall. It is thus aptly named which means "The adventurous traveler" in Ethiopian.
Ky-Mani Marley is also known for his numerous collaborations with reggae artists like Gentleman (on the album
"Conversations"), Protoje, but also from other musical horizons like Young Buck, Afu-Ra, Ms. Dynamite, Pittbull , Akon or
even XXX Tentacion. With his new recordings, like on "Atardecer" with Arcangel and Farruko, or with Nick Brodeur on the
single "She" s so Crazy "Ky-Mani Marley continues to highlight his multiple influences!
album.
Reggae icon, he is no less in love with hip-hop. Since his beginnings has offered a real fusion between these two styles.
Very influenced by the American culture in which he grew up, Ky-Mani remains faithful to his Jamaican culture and has
spread it around the world for several decades!
To (re) discover on European stages in 2023.
________________________________________________________________________________________________
Born February 26, 1976 in Falmouth, Jamaica, Ky-Mani Marley is the son of famous Bob Marley and table tennis
champion Anita Belnavis. He grew up alone with his mother in the Jamaican countryside and sadly lost his father at the
age of 5. Two years later, he left his homeland with his mother to settle in Miami.
Very early on, he developed his musical talents (thus learning to play the trumpet, piano and guitar), in parallel with a
notable involvement in sport. During his adolescence, he also tried his hand at rap and the profession of DJ, along with
his brothers Stephen, Julian and Damian, and finally found his vocation there.
In 1995, he began his musical career with a first single "Unnecessary Badness" and was quickly spotted by Shabba
Ranks producer Clifton Dillon, who offered him a first contract with Shang Records. He will then record "Dear Dad" which
is a great success. In 1996, aged 20, he released his very first album, "Like Father Like Son", 11 tracks from his father's
repertoire, and their dub versions.
The following year, he teamed up with Praswell from Fugees for a cover of "Electric Avenue". Signed by a new label, he
collaborates with PM Dawn on the single "Gotta Be Movin On Up", which helps the musician to establish himself in a
genre other than reggae.
In 2000, "The Journey" was released which stood out for its eclectic influences, ranging from RnB to hip-hop. It is
followed by "Many More Roads", a more classic, more reggae, Grammy-nominated album. Then will come the
compilation "Milestone", and the albums "Radio" in 2007 and "Evolution of a Revolution" in 2010.
His album "Maestro" was the first album released on his own label Konfrontation Muzik Group and distributed in June
2016. An accomplished singer and musician, Ky-Mani also developed acting skills while playing in the films "One Love" ,
"Shottas", "Haven" and is currently preparing his movie "Necessary Badness".
Its raw, pure sound captures the listener and reverberates the essence of Ky-Mani's life. Songs like "Dear Dad", "I Pray",
or "Ghetto Soldier" display the versatility and fiery passion that Ky-Mani exudes when he shares his journey in song. We
find these ingredients that make his success during his lives that bring crowds around the world. His set transcends eras
with hymns from his father, hits from his early days and today, current singles, and genres ranging from hip-hop, to R&B,
through dancehall. It is thus aptly named which means "The adventurous traveler" in Ethiopian.
Ky-Mani Marley is also known for his numerous collaborations with reggae artists like Gentleman (on the album
"Conversations"), Protoje, but also from other musical horizons like Young Buck, Afu-Ra, Ms. Dynamite, Pittbull , Akon or
even XXX Tentacion. With his new recordings, like on "Atardecer" with Arcangel and Farruko, or with Nick Brodeur on the
single "She" s so Crazy "Ky-Mani Marley continues to highlight his multiple influences!
Host
Host
Freitag-Samstag
Freitag-Samstag
sonntag 23.07.
Tan Pickney
…vielseitig, offen, neugierig, bunt, barfuss, unbeschwert und mit viel Herz. Das ist Tan Pickney.
2017 als sechsköpfige Reggae Band im beschaulichen Freiamt im Aargau geboren, bringt die mittlerweile achtköpfige multiinstrumentale Truppe einen gefühlvollen Sound mit viel Lebensfreude und guten Vibes auf die Bühne.
Die eingängigen Songs der Rasselbande vereinen verschiedene musikalische Einflüsse zu einem abwechslungsreichen Mix. Ob in Englisch oder Schweizerdeutsch; Tan Pickney berührt, lässt die Zuhörenden für einen Moment die Zeit vergessen und sie mit dem Leben tanzen.
2017 als sechsköpfige Reggae Band im beschaulichen Freiamt im Aargau geboren, bringt die mittlerweile achtköpfige multiinstrumentale Truppe einen gefühlvollen Sound mit viel Lebensfreude und guten Vibes auf die Bühne.
Die eingängigen Songs der Rasselbande vereinen verschiedene musikalische Einflüsse zu einem abwechslungsreichen Mix. Ob in Englisch oder Schweizerdeutsch; Tan Pickney berührt, lässt die Zuhörenden für einen Moment die Zeit vergessen und sie mit dem Leben tanzen.
JAHNERATION
Jahneration is the encounter of two music-driven young men, decided to make their dreams come true.
Since their very first songs, we can easily guess they’ve been inspired by the Reggae music from the shallows of Kingston mixed with some Hip-hop and Californian punk-rock. From their first buzz with ”Me Nah Fed Up” with the french singer Naâman to the collaboration with Manu Chao, this french duo developed itself more and more every year without any contradiction. They are the mirror of their generation: free, genuine, honest.
They assume who they are and showcase their talent on stage with more than 300 gigs in 5 years, from little venues to big festivals. They will also be playing at the Olympia on march 5th 2022.
Their universe is large and airy, they cultivate emotions with their two feet deep rooted in the ground but ready to jump when push comes to shove. And their audience understood that : they’re faithful and always growing bigger in the venues of France and abroad.
A first eponymous album, a mixtape full of collaborations (Dub inc, Demi Portion…), a second album ”stuck in the middle” produced and realized in the biggest Parisian studios and yet here we are with their third piece of work called ”Higher”.
And to go ”Higher”, they went back to basics and customized their control stations. This album is a home-made record perfectly handled: some digital explorations, a hint of organic sounds to top it all off and their even more powerful flows are the recipe of this new project. Some poetic reflections, ego-trip verses and and pinch of humor… All in all some pure Jahneration !
Since their very first songs, we can easily guess they’ve been inspired by the Reggae music from the shallows of Kingston mixed with some Hip-hop and Californian punk-rock. From their first buzz with ”Me Nah Fed Up” with the french singer Naâman to the collaboration with Manu Chao, this french duo developed itself more and more every year without any contradiction. They are the mirror of their generation: free, genuine, honest.
They assume who they are and showcase their talent on stage with more than 300 gigs in 5 years, from little venues to big festivals. They will also be playing at the Olympia on march 5th 2022.
Their universe is large and airy, they cultivate emotions with their two feet deep rooted in the ground but ready to jump when push comes to shove. And their audience understood that : they’re faithful and always growing bigger in the venues of France and abroad.
A first eponymous album, a mixtape full of collaborations (Dub inc, Demi Portion…), a second album ”stuck in the middle” produced and realized in the biggest Parisian studios and yet here we are with their third piece of work called ”Higher”.
And to go ”Higher”, they went back to basics and customized their control stations. This album is a home-made record perfectly handled: some digital explorations, a hint of organic sounds to top it all off and their even more powerful flows are the recipe of this new project. Some poetic reflections, ego-trip verses and and pinch of humor… All in all some pure Jahneration !
coming soon
coming soon
HOST
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